https://elizabethkilham.com/notes 2026-04-27T08:42:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2757908107696575136481952548299/IMG_7498.jpeg https://freight.cargo.site/t/original/i/T2757911689998934018655747720651/IMG_7499.jpeg https://freight.cargo.site/t/original/i/P2757912981566167083503713666507/IMG_7434.jpeg https://freight.cargo.site/t/original/i/R2757914919820907140387430614475/IMG_7572.jpeg https://freight.cargo.site/t/original/i/J2757916061268536933387065509323/IMG_7424.jpeg https://freight.cargo.site/t/original/i/Q2773120614827223331065813157323/IMG_7936.jpeg https://freight.cargo.site/t/original/i/F2773128031598932583022974092747/IMG_7722.jpeg https://elizabethkilham.com 2026-04-27T08:42:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2351177049863451492847085569483/1.png https://elizabethkilham.com/name-and-contents 2026-04-27T08:42:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2351177049863451492847085569483/1.png https://elizabethkilham.com/book-shelf 2026-04-27T08:42:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/T2386760614644138928622841251275/Screen-Shot-2025-06-03-at-10.42.19-pm.png https://elizabethkilham.com/blog 2026-04-27T08:42:05+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2351106091105064547641656231371/IMG_4731.jpg https://elizabethkilham.com/writing 2025-08-01T07:24:47+00:00 always 0.5 https://elizabethkilham.com/what-we-miss-when-our-backs-are-turned 2026-04-27T08:42:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2398637120564138048229220959691/Screen-Shot-2025-06-11-at-9.32.43-am.png https://freight.cargo.site/t/original/i/N2398638302391690618579064341963/Screen-Shot-2025-06-11-at-9.33.56-am.png https://elizabethkilham.com/notes-on-tables-and-the-meal 2026-01-22T10:08:12+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2362306728466047477767656064459/Screen-Shot-2025-05-19-at-2.28.08-pm.png 147. Communal Eating and 182. Eating Atmosphere, from Alexander, Christopher. A Pattern Language: Towns, Buildings, Construction. Oxford University Press, 1977, p. 696 and 844.<br /> <br /> <br /> https://freight.cargo.site/t/original/i/M2398637120564138048229220959691/Screen-Shot-2025-06-11-at-9.32.43-am.png 147. Communal Eating and 182. Eating Atmosphere, from Alexander, Christopher. A Pattern Language: Towns, Buildings, Construction. Oxford University Press, 1977, p. 696 and 844.<br /> <br /> <br /> https://freight.cargo.site/t/original/i/N2398638302391690618579064341963/Screen-Shot-2025-06-11-at-9.33.56-am.png Plan and Section of Junya Ishigami’s <i>Magic Table. </i>Images sourced from Creative Commons. https://freight.cargo.site/t/original/i/C2398639504307747485198609434059/Screen-Shot-2025-06-11-at-9.35.04-am.png https://freight.cargo.site/t/original/i/E2398640519173819444403301139915/Screen-Shot-2025-06-11-at-9.35.59-am.png <div style="text-align: center"><i>The Disorder of the Dining Table</i> © Sarah Wigglesworth, 1997.</div><br /> <br /> 3. Sarah Wigglesworth + Jeremy Till in their diagrammatic studies ‘<i>The Disorder of the Dining Table’</i>, approach a similar understanding of the home and the mechanisms of the everyday.The study explores rituals of eating at the dining table. They note that these rituals played out on the plane of the dining table, are similar to the rituals of domestic life. <br /> <br /> In uncovering the process of these drawings, Wigglesworth draws connections between how a table is set and how an architect draws a plan. When drawing a floor plan, there can be an almost sterile treatment, a lack of care and attention to what will take place. Like the meal can create an unpredictable shift in order, so can be the case at the scale of the home. The third drawing, diagramming the aftermath of a meal with eight people, becomes the basis for the floor plan of <i>Straw Bale House</i>, Wigglesworth’s own residence in the UK. The logic behind the messy, sketched composition of a floor plan here, understands that the energy found at the scale of the meal can be scaled upwards. While Ishigami’s table challenges the conditions of the dining table as something of simple structure and simple construction, Wigglesworth draws attention to it. The sketched traces of a meal pose an opportunity for a domestic floor plan that embraces the forces of emotion found in everyday life.<br /> <br /> 4. The domestic spaces we inhabit, and the rituals found within them, offer a foundation of understanding for larger scales, that can be harder to access or visualise. The domestic can be both careful and messy, unpredictable and laden with objects of affection or practicality. To notice the processes and rituals that surround one in the home; the laundry cycle or the kitchen bench throughout the day, could be an opportunity to better understand architectural forces out of our reach. And so I pose a question, if we begin to use drawing as a tool to trace and document these rituals, what aspects of order, structure and care will make themselves known?<br /> https://elizabethkilham.com/may-reading-shelf 2025-08-01T07:24:47+00:00 always 0.5 https://elizabethkilham.com/battle-fragments 2025-08-01T07:24:47+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2357591687867779033344160187851/Screen-Shot-2022-07-27-at-2.58.33-PM-1024x764.png https://freight.cargo.site/t/original/i/A2362306705278490177114749683147/Screen-Shot-2025-05-19-at-2.28.13-pm.png https://freight.cargo.site/t/original/i/G2362306728466047477767656064459/Screen-Shot-2025-05-19-at-2.28.08-pm.png https://elizabethkilham.com/curtain-structures 2026-04-27T08:42:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2357591654313151563266485798347/velvet-silk-cafe-mies-reich-05.jpg <ul class="lineated"><li></li></ul> 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target="_blank"><u>BOLTS</u></a></i>. https://freight.cargo.site/t/original/i/K2351150740139376132377964594635/Screen-Shot-2025-05-12-at-2.27.32-pm.png https://elizabethkilham.com/dream-plan 2026-04-27T08:42:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/J2357591687867779033344160187851/Screen-Shot-2022-07-27-at-2.58.33-PM-1024x764.png https://freight.cargo.site/t/original/i/Q2363610499050420567918925727179/original_30f22d68122da9110fe89766db5c71ae.jpg https://freight.cargo.site/t/original/i/W2363610679090642727324149499339/Anne-Holtrop-.jpg https://elizabethkilham.com/images 2025-08-01T07:24:47+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2279443410055567950066487805387/SCREENSAVER.jpeg https://freight.cargo.site/t/original/i/G2351106348916759721806349616587/IMG_8859-2.jpg https://freight.cargo.site/t/original/i/T2351117582725646193891350037963/DSCF1427.JPG https://freight.cargo.site/t/original/i/F2351194542172986828666500957643/ekil3316_Detail_Image_1.jpeg 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slot="1"></column-unit></column-set><a href="home-page" rel="history"></a> https://freight.cargo.site/t/original/i/R2351200921610489839640736318923/Screen-Shot-2025-05-12-at-3.11.18-pm.png A view from the Boardwalk  https://freight.cargo.site/t/original/i/X2351201158116195608670897587659/ekil3316_Detail_Image_3-3.jpeg Three Pavillions for Performance Art at Ballast Point https://elizabethkilham.com/project-2-domestic 2025-08-01T07:24:47+00:00 always 0.5 https://freight.cargo.site/t/original/i/T2351196014038696469951624398283/chester-exterior-collage.jpg https://freight.cargo.site/t/original/i/I2351196052647731816225715930571/chester-interior-collage.jpg https://freight.cargo.site/t/original/i/X2351196800792331213664000820683/PROPOSED---plan.jpeg https://freight.cargo.site/t/original/i/L2351196881183241886890226763211/PROPOSED---long-elevation-copy.jpeg https://freight.cargo.site/t/original/i/F2351196948440070779635251955147/PROPOSED---section-copy.jpeg https://elizabethkilham.com/scans 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